Before
leaving for this contest, I preened myself before the mirror, sucked in my
stomach turned this way and that, brushed my hair a bit, and was left
unsatisfied. I was not perfectly groomed or the Adonis I wanted to be.
I
was imperfect – I could see the grays shining through the black, the stubble
that missed the razor, the pimple below
my eye, My four pack abs, and the
shadows below my eyes. I was disappointed.
I
could also see tension on my face, as I could not remember for the life of me,
all that I had practiced the previous evening for today’s speech. I was still
uncertain of how I’ll perform – I wanted to be perfect, but I knew I was not,
and it upset me.
I
stepped out of the house onto the interlocks that adorned the front of my
compound and… noticed the two or three chipped blocks that for me stood out
among the rest.
I
was even more upset, when after I started my bike, I would that the mirror on
my left handle had a crack in it and my face was showing up in duplicate. I’ve
always liked my vehicle to be perfect, and I made a mental note to have it
repaired.
At home too, I often see imperfections everyday, a finger print stained
wall, a scrappy sofa that has seen our life’s ups and downs, peeling paint in
some locations, a little dampness in the corner of the roof and the like.
I find my own missing tiles in what others have and I don’t - a
bigger car, a perfect body a better voice and better speech!
The result – I am generally
upset and unhappy.
Then I learned about the Japanese concept of wabisabi, or “imperfect beauty.” The concept
has its roots in the traditional Japanese tea ceremony and is sometimes
explained by using the example of a well-loved teacup, made by an artist’s
hands, cracked or chipped by use. Such traces remind the observer that nothing
is permanent — even fixed objects are subject to change.
The
Japanese philosophy celebrates beauty in what's natural, flaws and all. The
antique bowls above are prized because of (not in spite of) their drips and
cracks. What if we learned to prize the drips and cracks in our messy
lives?
The classical Greek ideal of beauty, which underpins much
of the Western physical aesthetic, celebrates smooth, symmetrical perfection.
Wabi Sabi prizes authenticity.
The cracks in the old teacup are seen as assets rather
than flaws. Robyn Griggs Lawrence,
author of Simply Imperfect:
Revisiting the Wabi-Sabi House (New
Society Publishers, 2011). “It’s the true acceptance of finding beauty in
things as they are.”
In India, most of us grew up with a worldview that is
decidedly more influenced by the West. Unless our bodies fit a certain ideal,
we resent them. In our culture, "We're brought up to strive for the
best, the brightest, and most extraordinary, be it marks or career or even marriage.
This is where adopting a wabi-sabi outlook can be eye opening
— and mind opening.
By perceiving ourselves through this generous lens, we can
stop endlessly striving for the ideal body and focus instead on real physical
health. All it takes is a shift in perception.
I no
longer consider all the flaws I see in myself or things around me as
imperfections that must be expunged, obliterated or even covered.
Abandoning "Perfect"
I think of the paraphernalia my young daughter used
to pick up on our walks in Cubbon Park in blore, things I stopped noticing long
ago -- discarded feathers, stones worn shiny by water. They're drawn to these
treasures for their expressive textures, shapes, and colors, each thing unique
in the world. So miraculous just the way they are, and yet so simple.
It may not be natural to us to seek pleasure in a Japanese
concept that celebrates rust. But all it needs is acceptance of the imperfect –
It gives you a freedom you cant even imagine! The
suffering comes when there’s a craving for it to be different.”
And Braver souls sometimes turn their so-called
imperfections into signatures. “Ask yourself: What can you find beautiful about
what you’re now calling a flaw? And could you embrace that?” suggests Arielle
Ford, - take for instance a mole on the face or upper lip. A grey beard,
because u cant use color.
ACCEPTING CHANGE
“Beautiful young people are accidents of nature,” said
Eleanor Roosevelt, “but beautiful old people are works of art.”
This is good for me to remember, as I note that in
addition to the wrinkles around my eyes, aging is also apparent in my hands.
The skin is becoming thinner, making the veins and bones more prominent,
revealing tiny cracks along the skin’s surface.
That said, I’m not ready to even imagine not dyeing my
hair. Yet many men fearlessly embrace their silver strands.
I
recall that as I was leaving the house on my bike, I ran across an old lady from Gadag. She stays
at our house, along with her daughter, grand daughter and great grand daughter
and I was struck by her serenity in comparison to mine.
Her
face was lined, having weathered many storms, but I detected a strange beauty
in her something I could now recognize because I had learned Wabi Sabi.